Thomas More: on the Brink of Modernity

“When Raphael had finished his story, I was left thinking that not a few of the custom and laws he had described as existing among the Utopians were quite absurd (...) my chief objection was to the basis of their whole system, that is, their communial living and their moneyless economy. This one thing alone takes away all the nobility, magnificence, splendor, and majesty which (in the popular view) are the true ornaments of any commonwealth.” (p 588)

Reference: Thomas More, Utopia, S. Greenblatt (ed) M.H. Abrams (ed) The Norton Anthology of English Literature, eighth edition, Volume 1. Norton & Company, Inc., 2006. p 553 Image: H. Holbein, the younger. Portrait of Thomas More 1527. 

Thomas More was a political thinker on the brink of modernity. His most famous work, Utopia, is the product of a fierce sense of religious and political disillusion. More vents his objections in a manner that anticipates the characteristic method of modern political philosophers: the thought experiment.

Although it masquerades as literary fiction, Utopia is certainly a thought experiment. It gives an image of a society that has developed untouched by Christianity or by any other political conventions that reigned in 16^th century Europe. It is a society devised purely according to reason. The island is ruled democratically, private property does not exist and everybody is included in the division of labour, even women. As a result people only work six hours a day, and are free to pursue any kind of recreation they want, granted of course that they do so conscientiously and without disturbing the peace.

Despite the radicalism of his ideas More is not the first modern political philosopher. Crucially, though Utopia is a construct of reason, and completely unprecedented in many aspects, it is not truly offered as an alternative alongside, say, More’s own England. On the contrary, More needs Utopia to be as far away from the known world as possible. Equally, he needs it to be described by the dubious figure of Raphael Hythloday, whose name roughly translates to ‘Speaker of nonsense’ all in order to discredit a society that has flourished without God. Since More was fiercely Catholic (a quality which cost him his life when Henry IIX declared himself head of the Anglican church) he found it impossible to fully commit to Hythloday’s heretical vision. The objections made by the fictional More of the story, would have mirrored the historical More's own qualms with Utopia.

 In this respect More differs from another political thinker, the first one accurately called ‘modern’, a contemporary from wealthy, decadent, and war-torn Italy: Nicolo Machiavelli.